Posts tagged as:

sewing

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Shop Allison Leigh Apparel on Smashing Darling

Allison has always been intrigued by fashion; starting out as an astute fondness for playing dress-up. Later, it became a source of rebellion…she didn’t want, under any circumstances, to adopt the conservative, cloned styles that were worn by her peers in the small Midwestern town in which she was raised. At age fourteen, Allison’s mother enrolled her in a sewing class, and she quickly discovered her ability to visualize an outfit, then create it with her own two hands. Never one to want to blend in with everybody else, she fell in love with the idea of being able to make and wear a garment that nobody else on the planet possessed….the ultimate in individuality and self-expression. (Keep reading…)

item-71600-4b21b5aca781cGlam Frock

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Swingset Dress

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To stitch; a thread or line that holds things together – this is the literal translation of the ancient Sanskrit word “sutra”.

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Erin Endicott, Image gallery

In the “Healing Sutras” I use contemporary embroidery on antique fabric as a canvas to explore the common threads that bind countless generations of women. Wounds – both physical and psychological – are given life using delicate, meditative stitches. Traditionally thought of as “woman’s work”, sewing is a time consuming and contemplative process, each thoughtfully considered stitch becoming integral to the whole.

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Erin Endicott at Chelliswilson, Portland, Maine

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Just another one of those darling independent fashion events that we hate to miss! Where’s our private jet? This Friday night we’d love to be headed to the Bossanova Ballroom out in Portland, OR for The Portland Mercury’s 7th Annual Spring Fashion Show: Open Season. We spotted a few smashing independent designers in the line-up, including Lindsay Reif and Chelsea Erhart — we can’t wait to see what they have been working on. If you are blogging about indie fashion out there on the left coast and you attend, do fill us in pretty please!

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Springtime at the Reif Haus always means crazy, hectic, sewing times. For the third year in a row I will be showing at the Portland Mercury’s annual fashion show, alongside the best of the best in local talent. I’m really excited, to debut my new collection at the show, along with accessories from my friend Coco’s line Coco Cardenas. (Read full post from Reif…)

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Shop Reif on Smashing Darling

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Germaine Pullover

Shop Erhart Street Wear on Smashing Darling

item-81706-4cdcebdd2e0bfSplatter Tunic

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Today’s interview comes with a giveaway! Author and independent designer, Jennifer Lynne Matthews, has offered us a copy of the newest edition of her book Fashion Unraveled to giveaway to you. In this book Jennifer shares lessons she has learned from good decisions and bad as she built her fashion brand. The chapters and worksheets in the book are short and sweet so you can attack them in small doses. We know working on the business side is the last thing designers want to do, and that makes us so thankful the independent fashion world has darlings like her to help us all out. Comment and tell us your biggest business mistake to this point, and be entered to win your own copy of her book. Sharing stories of making mistakes helps all of us collectively learn.

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Darlings: How did your early experience as a designer inspire the book?
Jennifer: I made EVERY mistake possible in my early days of starting a business as a designer. I really had no idea what I was doing, even though I thought I was prepared for it. I had a plan. I’d sink myself into the business and learn the rest as it went. I recall that there were a couple books available when I started, but they weren’t written for me. They were filled with hundreds of pages of huge blocks of text which really didn’t work for my dyslexia or my patience. They made for rather large paper weights. I did eventually get through those books, but they didn’t cater to a small business, which I was. They focused on the designer with tons of money to invest.

Since I made every mistake known to man, I thought it would be a great idea to write about how to do it (by way of how not to do it). I always loved writing, so blending my two passions was inevitable.

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Darlings: If you had to cull the book down into a list of top 5 tips for independent fashion designers what would they be?
Jennifer: That’s a tough one, but here you go:
  1. Know who you are catering your business to – in other words, know your customer.
  2. Figure out the whole marketing situation for your line – how are you going to get the word out about you.
  3. Know and watch your competition – they can be amazing research for 1 & 2.
  4. Know what it costs to run your business – not just the materials, but the operating expenses.
  5. Figure out a pricing model that works to bring you a profit and a salary.
Darlings: This is a second edition, what changes did you feel were necessary from the first edition?
Jennifer: The first edition covered a lot of information, but I listened to the feedback from my readers and made appropriate changes in the second. I added new case studies, lots of new forms and an entire detailed section on business entities, taxes and the like. Some might find it a little overwhelming, but the second edition covers everything I wanted to write in the first edition, but was afraid to write.
The first edition was written right before the market crash and was released just after. Many things in the industry have changed in just the few short years since things went bump in the night. I adapted these industry changes into the second book.
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Darlings: Do you think there are common mistakes designers make when they are starting out?
Jennifer: Absolutely. As creatives, we just want to think about the craft. It is what makes us happy. We figure the business stuff will happen because we have a great product. The truth is, we are creatives and haven’t thought the business side all the way through. I find that the majority of designers starting a business neglect the money part, because design is the fun stuff.
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Darlings: Can you share a little bit about the online business plan building program? Has it launched? If so please share the URL with us.
Jennifer: Business Plan Unraveled is going through its final Beta testing right now. I actually just updated our website with details about it. The software basically follows the business plan design in the book. The program walks the user through compiling their information, so it can be used with the book or on its own. The program can be found at www.businessunraveled.com. I’ve been patiently waiting for the programmer to complete all the changes (this programmer is also my fiance and he works Monday through Friday, so I’m not going to push him too hard). Here’s to hoping that it will be ready to be fully launched in April.
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Darlings: You are also working on an online school for fashion and jewelry, can you share a little about this as well? It sounds like a great resource.
Jennifer: I’m always looking to create the next best thing for entrepreneurs. Once the program is officially launched, we will begin building an online school for entrepreneurs, fashion designers, jewelry designers and crafters. The courses will be an affordable option to individuals wanting to learn the trade, but not concerned with receiving a degree. We plan to offer classes on various skills including sewing, pattern drafting and my specialty, draping and lingerie design.

We plan to start developing the classes in April and May as soon as time permits. I’m a busy lady. I’m also writing a series of lingerie design books presently.

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I stole my roomies Ox-Bow catalog the other night for subway reading entertainment (sorry Lizzie!)…she has nothing but amazing things to say about her time spent at Ox-Bow in summers past. I was perusing for jewelry workshops but found this most excellent and inspiring sewing class. Maybe it’s time for me to start sewing? Read on and do let us know if you sign up darlings…this looks like a captivating spot to spend a few weeks in July.

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Sewn Strategies

FIBER 607 001
Jul 17–Jul 30, 2011

3 credit hours
Instructor: Marianne Fairbanks and Carole Lung
(www.fraufiber.com www.sewingrebellion.wordpress.com)
$50.00 Lab and Studio Fee

This course explores sewing as a social and political action and the potentials of various sewing techniques to create 2-D and 3-D site-specific textile forms. How does the meaning of this craft change when it is taken beyond the walls of the domestic setting? Investigating sewing as a process involves sewing outdoors as a group using pedal, hand crank, and solar powered sewing machines and holding public sewing workshops.

This course also focuses on developing a strong vocabulary of machine and hand sewing techniques, pattern making for body and 3-D structures, embroidery, zipper installation, sewing alternative materials including paper and plastic, mending and patching. This course draws inspiration from textiles, as we source fabrics from multiple waste streams such as thrift stores, yard sales, and industrial excess. Class projects will be inspired by how textiles are implemented locally in the lake community for things such as survival garments, flags, sails, tents, boat covers, hammocks, life jackets, and rafts. Projects involve collaborative actions and site-specific sewn textile interventions on the campus of Ox-Bow and in the town of Saugatuck.

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trish

Hand Work = Happy Times

by trish on January 27, 2011

Using your hands may just be what you need to lift your mood. I am so happy when doing work with my very own two hands. Last night along the shoreline in CT, we received another snow storm. It was the kind of storm where grocery stores are bustling with people stocking up before the first flake falls, kids get out of school early, shops and businesses start to shut down early. It becomes very still and silent outside. 12 to 18 inches fell on us last night from a very low cloud cover last night. Snow days for me are days to get the hot cocoa going and cozying up on the sofa to work on one of my many ongoing projects. Projects that require me to work with my hands… knitting, crochet and sewing. These are some of my most content moments. I love working with my hands.

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ecosalon has a series of articles they are writing – Using Your Hands to Soothe Your Mood -Part 1 & Using Your Hands to Soothe Your Mood -Part 2. Read on, hopefully it will help you the next time you need to boost your mood or maybe it will inspire you to work with your hands on a regular basis to help keep a smile on your face.

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We see many of you darlings on video all the time, telling your story and sharing your process with the world – we love it! Here’s a chance for you to inspire others on a new television program coming soon to be broadcast nationally called It’s Sew Easy. How lovely would it be for a Darling to be a BurdaStyle sewing star? Of course you have to be part of the Burda community to enter. Head over there to read all about it, and let us know if you submit: Calling Future Sewing Stars! It’s a BurdaStyle Talent Search!

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Getting to know the Independent Fashion Industry...
and the people in it.

The two of us Darlings discover and virtually meet some amazing people online via this orbit otherwise known as the internet. But truly, I think I can type for the both of us that we would rather be on the road discovering in person. Wandering around a community, popping into stores, picking up local publications to read over coffee to see what’s happening, getting lost and finding favorite new spots. Those are the best days, and that was just the sort of day I had in London this past May and how this interview with Rosie Martin, Founder of DIYCouture came to be. So anyway…read on and get to know her a bit better. Cheers, Darlings!

Sewing is a visual activity, and needs to be explained visually. With this in mind, DIYcouture takes a different approach from that of conventional sewing patterns, using diagrams and photographs to explain the making process.

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Darlings: When and how did you get the idea of empowering people to make their own clothes?
Rosie: I didn’t study clothes-making or fashion but fumbled my way through stitching some basic items as a teenager. By the time I left home I was wearing quite a few clothes that I made myself, though I hate to think what they looked like. Around that time there was quite a bit of publicity about British high street shops that were found to be paying their workers what could be considered less than a respectable wage…in order that we British could find ourselves a nice bargain. At the same time I continued to sew and learn through mistakes and was even receiving the odd compliment on the clothes I wore. I told these people how easy it was to make the clothes but heard repeated expressions of doubt, as if I must have a particular knack for sewing, which I insist I do not.

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Rosie Martin, DIYCouture Founder

I had a commission to make an outfit and I chickened out of plowing in, as I usually would have, and went to buy a sewing pattern. After I finally bought something from a large array of fuddy-duddy looking patterns, I opened it to find an almost mind-bogglingly, confusing sheet of sewing code! After I worked out what was going on, I realised that the pattern was actually very simple, but the means of explanation made the process pretty baffling.

I thought it would be great if more people had the confidence to take to the sewing machine and make the odd piece of clothing for themselves, rather than turning immediately to the high street. I thought that all they needed was a clear and simple means of explanation and some encouragement – an honest voicing telling them: you can do it!

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Darlings: How did you decide on the format for the books as the best way to deliver your patterns and instruction to consumers?
Rosie: I knew that I wanted the instructions to be as visually simple as possible. I didn’t want people to have to turn to different parts of the book to look up the meaning of words or symbols, I wanted it all there right in front of them as they needed it. I wrote all the words, drew the diagrams, and took all the pictures of my hands making the clothes, then as I sat down at the computer (with my Dad, who is a typographer by trade) to design the pages. I wanted all the information in the books to be necessary and the layout to be easy on the eye. We sat down with these thoughts in mind, and the books as they are is what we came up with!

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Do you think people are understanding slow fashion as part of their lifestyle?

Rosie: I think with the economic upheaval there has been an environmental awareness of waste and social awareness of wasteful consumption. There does seem to be an awareness of sustainability in the mainstream now and this includes – slowly, slowly! – in peoples awareness of clothing, or fashion. There does seem to be a move towards garments whose history is there for all to see and towards designs with lasting appeal that won’t end up in the bin after two or three uses. This is in stark contrast to the ‘fast fashion’ ideal of churning out product that through it’s low pricing is almost shouting: “keep buying more, faster!”

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Darlings: From when you began, do you think more people are seeking this out as part of their lifestyle as a way to be less wasteful?
Rosie: I think there are a lot of people that are seeking out the knowledge to build something themselves with almost a ‘ back to basics’ ideology. People are growing their own vegetables and building there own furniture. At the same time people are also seeking out the DIY way in our post-Millennium world as they are excited about having production in their own hands. We now have MySpace and YouTube, meaning that almost anyone can get their music out there or be their own mini-movie director. So I think for some people it is a way to avoid buying throwaway fashion and for some it it is a way of having fun, by having a go at making something that you usually receive whole and packaged.

Darlings: How many garments do you think you have made to this point in your career? If you had to guess, how many people have you empowered to make their own clothing?
Rosie: I have made too many! I made quite a lot of FAILS as I was designing the collection as it was sort of a “I make the mistakes so you don’t have to” period. I had to try out all the garments in the collection and see what could go wrong, so that I could instruct people properly on what they needed to know. I would say I have made more than 200 pieces of clothing. I have also had the chance to sell some of these off at a couple of fairs I am happy to say, so they haven’t gone to waste.

I have had a few hundred book sales and these are climbing all the time, as well as a few tutorials published on line and in magazines – most recently on the Etsy blog, so in my humble estimate it must be bordering on 1000 people that have had a go. That’s a very nice thought! I hope it keeps getting bigger!

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Darlings: How often do you add a new design to the collection?
Rosie: I designed the collection all in one blast as I had the overly ambitious idea that I would release one book a month throughout 2010. However, due to the cost of printing and my short sightedness with regards to funds I have only been able to print the first three of the series. So the remaining nine are sitting there waiting to go! I am going to release two more in the next six weeks as either downloadable pdf’s or as electronic books on CDs that will be posted out to customers. Then I hope to make
enough money to print the sixth book before the year is out. I have just this week signed a contract with the publisher Laurence King and they are then going to put the next six instructions together in one big DIYcouture book, along with six brand new
designs.

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Darlings: Are you tracking the designs as they are made across the globe?
Rosie: That is a great idea, I wish I were!! It would be so cool to have a map with little dots all around the world where people are DIYCing. I have had a few customers send me pictures of the clothes they have made with the instructions and I absolutely love it. It is great to see how different every single piece is. I do plan to make the DIYcouture blog more … sensible…. soon and to write to customers asking them to send in their best pictures of themselves posing in the garments. I’d love to get these images out there.

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Darlings: Is there anything you want to make sure everyone knows about DIYcouture or anything else you think is important?
Rosie: My main message is to people who don’t believe they have the skills to make a piece of clothing that looks professional. I am here to tell you that you, even as someone with no sewing experience, you absolutely can create something that you are proud of. Sewing machines are very straightforward and intuitive – I believe the best way to learn to sew is to go for it with a piece of clothing. Believe in your hands!

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trish

The Vocabulary: Atelier

by trish on November 26, 2008

Simply put the French word atelier means studio or workroom.

Some photos from some of the most famous fashion studio/workrooms.

Christain Dior

Chanel

Christian Lacroix

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There is a whole slide show of photos the New York Times ran with the article titled, ‘The Best Hands in the World‘ by Cathy Horyn

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For todays interview I wanted to give it up to Style Observer for getting an exclusive with the designer from Sex in the City, Gilles Montezin. It is absolutely fabulous. Here is the intro. Make sure you click on over there to watch the interview. You’ll love it. I know I did.

catching up with Sex and the City designer Gilles Montezin

Posted by Jean Voute Pratt

As I crossed the threshold into the seven story townhouse, it was like I walked through the wardrobe into the wonderful world of Narnia. The environment was the most magical I had ever experienced. Gilles is upstairs sewing dresses while Andrew, his partner and concert pianist, plays music that soars through the house. The creative energy that radiates from this place penetrates the soul. It’s no wonder that celebrities like Sarah Jessica Parker, Madonna, Catherine Zeta Jones, and Debra Messing gravitate toward his brilliant designs. There’s an addictive quality to his clothing. The moment you slip into one of his pieces, you’re hooked. The design, the fabric, the detailing, all make for unbelievable synergy. His collection is currently touring the country, but can also be seen on is website: www.GillesMontezin.com. Words do not do Gilles’ designs justice, so we created a video.

Click here to view the video.

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